Andrea del Sarto Summary. This poem represents yet one more of Browning’s dramatic monologues spoken within the voice of a historical Renaissance painter. Andrea del Sarto, like Fra Lippo Lippi, lived and worked in Florence, albeit a touch later than Lippo, and was later appointed court painter by Francis, the King of France. Under the nagging influence of his wife Lucrezia, to whom he.
Oedipus Rex Summary. When the play opens, Thebes is suffering an epidemic that leaves its fields and ladies barren. Oedipus, the king of Thebes, has sent his brother-in-law, Creon, to the house of Apollo to ask the oracle the way to end the plague. Creon returns, bearing good news: once the killer of the previous king, Laius, is found, Thebes are going to be cured of the plague (Laius was.
Browning, Robert (1812-1889), English poet, especially noted for perfecting the dramatic monologue (literary composition in which the speaker reveals his or her character). Browning was born in Camberwell (now part of London). He had almost no formal education after the age of 14 and was largely self-taught. His first volume of poetry, Pauline, appeared in 1833 without signature.
Fra Lippo Lippi nor Browning could, with the grandest flights of critical fancy, be termed a mystic. Fra Lippo explains his belief that the artist can start with anything in the world and work back to God. His optimism hardly exceeds that of Browning: This world's no blot for us, Nor blank; it means intensely, and means good. (11. 313-314).
Robert Browning: Comprehensive Research and Study Guide (Bloom's Major Poets)Provides an author profile and critical analyses of the originality, rhetoric, and themes of Browning's poem. Publication.
Robert Browning is considered to be the perfecter of the dramatic monologue, which had its heyday in the Victorian Period. Other Victorian poets to produce one or more dramatic monologues include Alfred Lord Tennyson, Elizabeth Barrett Browning, Matthew Arnold, Dante Gabriel Rossetti, Christina Rossetti, and Algernon Charles Swinburne.
Fra Filippo Lippi, The Madonna in the Forest (detail), c. 1460, oil on panel, 127 x 116 cm, Staatliche Museen, Berlin The Madonna in the Forest was made for the chapel of the Medici (later Medici-Riccardi) which decorated by Benozzo Gozzoli.It does not just depict the Adoration of the Child, it also shows the Holy Trinity. God the Father, the Holy Spirit and Christ are united on the painting.
Browning's emphasis upon the mutual dependence of body and soul informs the Ruskinian theory of art that Fra Lippo Lippi propounds in the poem of that name, and according to Ryals, this idea also permeates the late Balaustion's Adventure (110). Bibliography. Browning, Robert. The Poems. Ed.